On Goya

Digital library and archive
and basic references

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Digital library and archive

This section contains documentation and publications on Goya, as Esta sección contiene documentación y publicaciones de Goya, courtesy of various publishers, mainly the Institución Fernando el Católico and the Caja de Ahorros de la Inmaculada, or the authors of some of the mor eimportant works on Goya. It is a autores de algunas de las obras más importantes sobre Goya. It is a seed for a future digital library and archive on Francisco de Goya y Lucientes.

If you desire to collaborate sending your publications, please contact InfoGoya's editorial team at infogoya@unizar.es.

Catalogues and basic references

The importance of the work of Goya has originated an enormous ammont of bibliography. His copious production, toguether with that of his studio, his imitators and copiers, the high price of his creations and the unique prestige of his signature have originated numerous forgeries and, therefore, unending discussions among the scholars that are far away from concluding.

InfoGoya pays attention to these discrepancies showing in its catalogue of paintings the reference to the different catalogues that have taken each picture in consideration.

  • Angelis, R. de-.L'opera pittorica completa di Goya. Milán, 1974 (=DeAn).
  • Camón, J.Goya. 4 vols., Zaragoza, 1980-1982 (=CA).
  • Gassier, P.Goya. Ginebra, 1955 (=Gassier).
  • Gassier, P. y Wilson-Bareau, J.Vie et oeuvre de Francisco de Goya. Friburgo, 1970 (Barcelona, 1974) (=GW).
  • Gudiol, J.Goya. Nueva York, 1941.Goya. Madrid, 1970.Goya. Madrid, 1975 (=G).
  • Morales, J. L.Goya : Catálogo de la pintura. Madrid, 1995 (=MM).
  • Salas, X. de.Goya. Nueva York, 1981. (=SALAS)

  • The best and most up-to-date research piece on Goya in Aragón is:
  • Ansón, A. Goya y Aragón. Zaragoza: Ed. Caja de la Inmaculada, Zaragoza, 1996.


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